Shine

Hey, everyone...hope you had a great week.  Mine was busy, busy, busy with household stuff that needed to be done as well as finalizing product for Spring Edition, the upcoming event I am teaching at in New Zealand.  So many details in an event like this that can easily become overwhelming (anything that involves international shipping is at the top of the list) but Nic and Lucy have been great to work with all along the way.  Thank You!

All my Heart tray class from Spring Edition Event, New Zealand

So on to today's tutorial, I was recently asked by a friend to create a simple project for a small class of beginning crafters. I thought an introduction to Distress Ink was an easy way to jump into crafting and feel successful, I know I always do when I use them.  So here we go...easy, fun, cheap and not a lot of time.  Sounds like the perfect project to me.

The picture frame -
I went Walmart and picked up a 8 x 10" frame for $3.  It was one of the only frames ($3 and under) that was made from wood not plastic although it was dark brown.  When I got it home, I painted it black and sanded it.  Now I like it much better.

The mat -
The frame came with a thin mat.  As you can see, it does not have a beveled edge but that's okay, in fact probably better.  I got out my Distress ink and inked up the mat using Dried Marigold, Tumbled Glass and Crushed Olive, but really any combination of Distress Ink colors will do.  When mixing colors I try and stick with 3 to start (not counting a brown just for darkening the edges) since 3 can make multiple combinations when layered on your surface.

When the coloring was complete I used Tim's spritz and flick technique to make the water spots. Just spritz a bit of water in the palm of your hand from a mini mister and flick it on to your surface.  Give it 10 seconds and dry it with a Heat Tool.  Super easy technique I learned at Ranger U a few years ago that always makes an impact, possibly making you seem smarter than you actually are (at least in my case it does).

Once the mat was dry, I stamped it with black Archival ink and a great Christy Thomlinson - SheArt Print Texture stamp.  Perfect message for this class and this age group.

 I stamped, and stamped until I covered the entire mat.

...and here is the finished mat.
I also sprayed it with Perfect Pearls Mist in Heirloom Gold to give it a shimmer.

The center - 

Next, something for the center of the mat.

I cut out a simple heart from plain manila cardstock and inked it with Dried Marigold, Scattered Straw and Frayed Burlap.  I used the same water flick technique as on the frame to remove ink from the heart.   The quote stamp is from the SA - Going Somewhere stamp set which I stamped in Archival Ink - coffee.  I use the same plant stamp (SA - Nature's Discovery) from my last tutorial to add in some blue (Archival Ink - Aquamarine).  Then finished it off by distressing the edges with the Tonic distress tool.

 

I painted some random chipboard letters with Claudine Hellmuth paint - classic teal then distressed them with a sanding pad.  I inked the white spaces with Scattered Straw Distress Ink.  There are letters from 3 different letter sets...a great way to use up left over letters.  The paint color makes them look like they go together.

So, just in the name of experimentation I created 3 different backgrounds.

Background No.1:
Distress inks used: Broken China and Crushed Olive.
Stamp: Mixed Media, Distress in in Crushed Olive

Test #1

Background No. 2:

Distress Ink: Broken China, Crushed Olive, Frayed Burlap

Stamp: Papillon with Archival Ink in Coffee

Test #2

I might have liked this one better if I had used a lighter shade of ink on the butterflies.  Hummm...lets keep going.

Background No. 3

Manila cardstock
Distress ink: Frayed Burlap
Stamp: Postcard, spills and splatters with Archival Ink in Coffee

The Postcard stamp is hard to gauge whether or not it is straight on the block so I used Tim's acrylic blocks with the lines.  I can place the cling stamp on the block using one of the lines as a guide.  Super simple.

Use my frame as a guide.
(I do know my frame is upside down in this picture but I was just using it as a guide at this point)

 

 and now it is stamped nice and straight.

 

I used the spills and splatters stamp to make it look old.
Note: I did stamp off some of the brown ink before stamping since the ink was dark.

And here is the keeper.  Background number 3 is the winner.  Sometimes it takes some trial and error to get it right!

This project is easily adaptable to any stamp set you might already have and any Distress Ink colors you want to use.  Seriously, super easy project. 
cheers for a great weekend!
paula

*Ranger Inkssentials Non Stick CRAFT SHEET Reusable 15 X 18 Stamp Paint Ink	*Ranger Inkssentials HEAT IT CRAFT TOOL HIT00471	*Tim Holtz Distress Ink PAD TUMBLED GLASS Blue Ranger	*Tim Holtz DISTRESS INK PAD BROKEN CHINA Blue Ranger
*Tim Holtz DISTRESS INK PAD SCATTERED STRAW Yellow Ranger	*Tim Holtz DISTRESS INK PAD DRIED MARIGOLD Orange Ranger	*Tim Holtz DISTRESS INK PAD FRAYED BURLAP Brown Ranger	*Tim Holtz DISTRESS INK PAD CRUSHED OLIVE Green Ranger
*Ranger Archival Ink Pad JET BLACK AIP31468	*Ranger Archival Ink Pad AQUAMARINE AIP30577	*Ranger Archival Ink Pad COFFEE AIP31451	*Tim Holtz Cling Rubber Stamps SPILLS & SPLATTERS And Stampers Anonymous
*Tim Holtz 9 GRID ACRYLIC BLOCKS Set to Cling Stamps	*Tim Holtz Cling Rubber Stamps PAPILLON CMS106 2011	*Tim Holtz Cling Rubber Stamps POSTCARDS cms099	Nature's Discovery
*Tim Holtz Tonic PAPER DISTRESSER Altered Aged Edges	*PREORDER Claudine Hellmuth Mini .5 Oz. Studio Paint CLASSIC TEAL Ranger HSM24606

InLinkz.com

A nod to Elizabeth

At was a Michael's the other day and picked up these 1 1/2" wood disks.  I decided to use some of the Distress Stains to color the disks.  Ranger makes so many colors of Distress stains (like 37!) that it was hard to choose which to use.  I decided that since I bought the "value pack" of disks (22 pieces for $2.99) I had the freedom to color away. 

You can see in this shot of the Distress stain oranges that each is very different.  Spiced Marmalade is a go-to favorite.

 Crushed Olive and Broken China are two must haves for this project.  Put these two with Spiced Marmalade...good stuff.

I found that the color goes on dark and lightens as it dries.  Some colors changed a bit when added to the wood for instance, Tumbled Glass is much greener than what I thought it would be. 
Let me walk you through the process.

Push down on your craft mat and squeeze just a bit to let the Distress Stain flow to the top of the felt top.

As it dries, the stain seeps into the wood and the color will start to lighten and change.  Depending on the intensity of the color you can leave as it or add more stain.

 I sprayed the disk with Perfect Pearls Mists - Heirloom Gold and let it dry again.

After the disk was dry I inked a stamp.  This stamp is from the set Papillon by Tim Holtz/Stampers
Anonymous. 

I only needed one butterfly so I just inked one.

To be honest I never even used an acrylic block during any part of todays tutorial, I just used my fingers to press the stamp down.

Here is the final result. 

Here is the same process using Dried Marigold.   Two coats made for a good carrot orange.  

The top image from the same stamp is also a favorite.  Love that it has the word butterflies in tiny, tiny type at the top.

 

Here are some others I made using more of Tim's stamps.
Going Somewhere - type
Mini Cirque Alphabet - letter R and flourishes on both pink and blue disks

Okay, so after coloring more than half of the disks I decided to paint some white to see what the Distress stains would do on different surface color...could the Distress Stain stay more vibrant?
Things I learned:
1. Paint the disc white and let dry completely
2. Use only 2 colors on each disc (more makes it muddled)
3. Normally you push down on the pin that is in the top of the bottle on a craft mat, then wipe the color on your surface.  For this project I pushed the pin down right on the disk...the lines will go away in a future step.

 You don't even have to cover all the white.

This time I used Perfect Pearls Mists in Perfect Pearl for a bit of shine.  When you add the mist it reactivates the Distress Stain making it bleed.  You can pick up the disk a swirl it or leave as is.

 As it dries, the stain becomes lighter just like the first disks.

This time I used the other smaller butterfly stamp on the Papillon stamp set.  Remember to always use Archival ink because its waterproof .  That way, if you want to add more color or Perfect Pearls mist you can, without the ink from the stamp running.

 

Then I just started I mixed different colors...blue and purple, pink and green, blue and gold, etc.  This is really kinda addicting.  

I am going to need more disks.

Another thought...how about adding Glossy Accents to to make it look like really finished.  It takes a couple hours to dry but it's worth the wait.  The color is fabulous.

Here are some other disks I added the Glossy Accents to. 
I know you are going to want to know about the stamps...the words are from the Papillon set and the very cool numbers are from Ma Vinci Reliquary.  The numbers are part of this unmounted set, Antique RSM alphabet.  The cap letters are 1" tall and the numbers are 3/4" tall.  The set sells for $32.00 and is unmounted, meaning you have to purchase cling mount foam to be able to use it. 

So one step further...what if I want to make a jewelry piece?  Then I think we need to make it look like an expensive soldered piece.  To do this I just used Memory Foil tape in silver. 
Super easy.
Just start wrapping around the edge with the tape.

 Press the tape down with your fingers.

Then use a bone folder to burnish.  Cool, right?

The back.

By the way, you can put a hole at the top for a jump ring with a good wood awl, no problem.

The whole idea of making the disc's into a necklace was spurred on by this picture I have had saved since I saw it online as part of Elizabeth Taylor's jewelry that was auctioned at Christie's in New York, last Sept.  The gold and ivory necklace is made from opera passes, circa 18th and 19th centuries.  Can you imagine how heavy this necklace would be?  The necklace was a gift to Elizabeth from the estate of Edith Head, the famed costume designer.  I have been secretly obsessed with the idea of this necklace from the genius idea of making the opera passes into a necklace, to the exquisite fabrication, to the fonts used.  I didn't even know there were such things as opera passes as keepsakes.  By the way, the necklace sold for $314, 500.

Now, by no means are the simple wooden disc's I made anything to compare to this necklace.  It's just the idea of the disc's becoming more than simple wood pieces.  I guess what I'm trying to say is, "Think outside the craft department". 

If you would like to read more about the Elizabeth Taylor collection you can find it here.

I learned a lot doing this tutorial today. 

1.  I love how one idea can lead to another...building till you get something really fun and cool.
2.  I think these will need to be incorporated into a class or kit this year.
3.  I now know how to spell papillon without looking it up.  Now if I can only get aisle and restaurant down I should be good.

cheers!
paula