Once the CHA was over, Stampington chose a few of the projects to be published in the July/Aug issue of Somerset Studio magazine. Since the magazine was just released, I thought I could share a few photos of my piece that were taken before I packed it up for the show.
I painted multiple layers of Distress Paint over the entire canvas starting with a very bright green background (crushed olive), then covering parts of it with a few layers of blue (evergreen bough, iced spruce, tumbled glass). Once the background was dry, I drew imperfect lines that give the piece it's visual structure. Additional layering with bits of paper, stamps, Idea-ology Layering Stencils and Tissue Wrap.
What I like about using Distress Paint is that it is reactive with water without diluting the color pigment, and of course once dry, it becomes permanent. What that means to me is that I can manipulate the paint with a brush or a wet wipe to make the paint opaque or as transparent as I wish. It's all about taking your time to build the layers!
I stamped the quote with Jet Black Archival ink and the Stamper Anonymous set Tall Text.
tumbled glass, tattered rose, picked raspberry
Distress Marker - Pumice Stone, Black soot and Picket Fence
Stampers Anonymous sets - Mixed Media, Tall Text
If you somehow missed seeing the Ranger Challenge back in Jan - you can find it here.
Well, I hope you will pick up your copy of Somerset Studio - I know I've gotta get one!
now carry on,
paula